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[Kevin is] a character who behaves with a tremendous amount of confidence in his external life, but in his internal life seems to be riddled with doubt about himself and the others around him. It attracts a more introspective, thought-provoking conversation, and it just doesn't have all the bells and whistles of dragons and White Walkers and intimate knowledge of Westeros in terms of the world building. Damon Lindelof, co-creator of Lost, The Leftovers, and creator of HBO's Watchmen, talks about the acclaimed series' societal implications in the era of … Damon Laurence Lindelof (born April 24, 1973) is an American screenwriter, comic book writer, and producer. The first thing that I tend to ask people when I'm interviewing them is, "Tell me your story," or "What's your story?" The way that people answer that question is very interesting. We kind of embraced the idea almost immediately. We're not worried."That said, I have to be the person in the writers' room who eventually says, "Okay, it's time to stop this now. Club Deadspin I just feel like, "Oh, I just made a big mystery show that many felt ended unsatisfyingly. And Damon Lindelof knows it. Damon Lindelof on The Leftovers, Faith and the End of Lost By Daniel D'Addario April 14, 2017 12:35 PM EDT You're moving on to the next thing. I know it. I wanted it to be successful, of course, but all the ideas J.J. and I were getting excited about — that it would be incredibly ensemblized, that we'd have 16 series regulars, that the show would be heavily serialized (which at the time was kind of a dirty word in network TV). You know what I'm going to do next? Damon Lindelof was one of the show's creators and executive producers and was the head writer of the show. There was a tremendous amount of confidence, again by Lloyd, that people would watch this thing. Whether it's good or it's bad, I do think that the experience of I do this for a living and I should still be learning constantly. Now it was going to be about a five minute long sequence because there were so many other things we needed to do in the finale. I'm starting over?" But it wasn't going to be an entire episode. If we get that balance right, they’re not gonna stack up.’ I think that we can both agree that we did not get that balance right.”‘The Umbrella Academy’ Season 2 Review: A Confident, Thrilling New Chapter Is HereIt’s not hard to imagine ABC was flummoxed by Lindelof’s pitch to end the series after just a couple of seasons. Lindelof and Cuse were already foreseeing future problems with the flashbacks at this time:“I’m not trying to be diplomatic, I’m trying to give you the most accurate answer the way that I remember it, which is the conversations about wanting the show to end began as early as the pilot. It spins on a slightly more intimate axis. Thing number three was the show was weird. Then there was just a lot of conversation as to what song he should sing.

J.J. was busy running Alias and writing another pilot called "The Catch." He was like, "I'll supervise someone, but I don't have time to basically do this myself." That basically set up the circumstances under which I was introduced to J.J. A week later, after that initial meeting, I had quit my day job, this other show that I was working on, and we were writing partners and co-showrunning this insane pilot for which there was really only an outline.Then I want someone who has a really specific voice and an attitude and a fundamental confidence where they're not afraid to speak their mind. One of the notes that we were getting back from ABC was ‘When are you gonna resolve these mysteries?

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damon lindelof lost interview