wells coates embassy court

His rehabilitation started in 1978 with the publication of the superbly researched and written “Wells Coates – a monograph” by Sherban Cantacuzino, then executive editor of the Architectural Review. He founded the deliberately futuristic sounding MARS group (Modern Architecture Research) to spread the new ideas in the public and architectural realms.

Coates’ next major building at Palace Gate in Kensington leaves a part of this behind. His last significant building in the UK was the “Telekinema” for the Festival of Britain in 1951. He was, for most of his life, an expatriate Canadian who is best known for his work in England, the most notable of which is the Modernist block of flats known as the Isokon building in Hampstead, London. A new mentality would be founded on this essential geometry.Coates’ reputation faded from view and by the late 1970s Modernism itself had become a dirty word, associated with many ugly, crime-ridden and indefensibly shoddy tower blocks of the 1950s and 60s. His upbringing in Japan certainly provided inspiration and he was familiar with the work of Corbusier.

↑ Design Museum, Wells Coates, Architect and Designer ↑ Wells Coates, 'ECKO Model AD-65' radio, 1932 ↑ Friends of Embassy Court ↑ Ibid. He was, for most of his life, an expatriate Canadian who is best known for his work in England, the most notable of which is the Modernist block of flats known as the Isokon building in Hampstead, London. He was appointed a visiting professor at Harvard, but while he had many minor successes he never achieved the notability he gained at Lawn Road, Embassy Court and Palace Gate. Stylistically similar, the Isokon flats have a much more utopian intent than the unrepentantly commercial venture at Embassy Court.
Wells Wintemute Coates OBE (December 17, 1895 – June 17, 1958) was an architect, designer and writer.

Energetic, driven, beholden to no-one, capable of a deep idealism whose seriousness was tempered with a great personal charm, groups of like minded individuals naturally formed around him.Fry and Coates shared ideas that extended far beyond the realm of architecture. The new world would have no emblem or logo, its ethos would be scientific and its aesthetic would be pure form and line.

We can perhaps see his achievement now better than at any time in the last 70 years.If Modernism was to survive in the mid 1930s it would do so in a marketplace increasingly bounded by perceptions of America. A steady stream of articles in the national and architectural press followed over the years and his buildings were listed by English Heritage in an effort to prevent demolition. Embassy Court seems to draw from two worlds. The fractious, multilingual and overtly political CIAM conferences where Coates met Corbusier, could not, for all their poetics and rhetoric, compete with the stage managed authority of the New York exhibition of the International Style in 1932.The originality of his designs spring first of all from the properties of the new materials then coming widely into use, Bakelite, moulded plywood, tubular steel and of course re-enforced concrete.
He died in 1958, busy as ever on an urban design project in British Columbia.Wells Coates 1937 (Bystander Magazine)Hi Carmine, thanks very much for the comment.

Wells Coates began to be admired again after books and articles about him were published from 1978 to the present. This extraordinary building, designed to show large format television as well as stereoscopic films, was intended to last one summer but outlived the festival by 6 years as the first home of the National Film Theatre.But America’s growing dominance was more economic than cultural.

Embassy Court is an 11-storey block of luxury flats on the seafront in Brighton, part of the English city of Brighton and Hove.It has been listed at Grade II* by English Heritage. Early years.

However, you can only see these areas of the site if you have registered a username and password and logged in.And there were many other projects. Perhaps it was exactly the right moment to remember Wells Coates. The last paragraph says that between 1945 and 1970 Wells Coates was forgotten by the architectural community and by the public. Brighton and Hove, a city on the English Channel coast in southeast England, has a large and diverse stock of buildings "unrivalled architecturally" among the country's seaside resorts. But his influences also point to the Bauhaus and the work of Marcel Breuer. Maybe it is the greatest accolade for designers that their work becomes so successful that it comes to stand for the period in which it was made. His flats at Lawn Road and here at Embassy Court have both been lovingly restored in the first few years of this century. But while his post-war career seems to have lacked focus, his drive for innovation lived on.

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